One to watch on the emerging art scene, Shelley's graphic, retro-toned pieces primarily feature linocut printmaking, as well as utilising techniques such as overpainting, underpainting, collage and gold/silver leaf.

Recently, in lockdown, she has extended her skill set by using graphite, spray paint, Neon, and LED lighting.

Her artworks play with traditional printmaking methods, but also experiment with their execution, giving them an edge similar to her influences: Warhol; Illuminati Neon; Darren West; Henry Hate; and Damien Hirst.

Shelley won the NOA National Open Art Prize 2017 and was a finalist at VAO Visual Open Art 2018.

Her work has been featured in exhibitions such as UpFest Bristol, Bath Open Art Prize and the National Original Print Exhibition at Bankside London.